España

Esto es una gigantesca pantomima... No tienen la menor posibilidad, su meta es tapar el 11-M, encarcelar a sus honestos delatores, cuando no, matarlos: (Lavandera, moros de Leganés, peritos y policías). ¿Es eso lo que otros deben imitar y secundar? ¿El entrecomillado? Es que sencillamente Zapatero intenta revestir de politicidad lo que son dos organizaciones criminales: PSOE y ETA. Una basta parafernalia, sí, pero de unos criminales. El Gobierno criminal es como un libro abierto, con doce escasas páginas, escritas todas con la sangre de 200 muertos y 1500 heridos.

jeje... estoy de acuerdo con lo que dice fenariego más arriba.
fenariego: ereh un mohtro!!
saludos

Pero admito que los salmos pueden ser un poco aburridos, para el Gurú. Más vale un texto sobre la era Sengoku:

"Literally "warring states period" (in conscious imitation of the ancient Chinese era), the Sengoku Era of Japanese History (1467-1573) encompasses a total collapse of centralized authority, followed by a long period of consolidation and reunification.

Historians mark the beginning of the Sengoku period with the start of the Onin War of 1467-1477, when leagues of regional governors (known as "shugo") battled it out on the streets of Kyoto for control of infant shoguns, dramatically eliminating the last vestiges of the once absolute central authority of the Ashikaga shogunate. The old jito and shugo hierarchy that had been initiated by Minamoto Yoritomo nearly four centuries before was now without its head, and disintigrated completely.

Into this power vacuum, stepped a new breed of self-made man - the "daimyo" - an enterprising individual who knew or learned how to play by the new rules - all power to he who can take it and keep it, by whatever means necessary. This was something new - previously in Japanese history, all power had been granted from above as part of a trickle-down hierarchy in which all legitimacy could ultimately be traced back to the Emperor. Now all power flowed from the blad of a sword, could be siezed by just about anybody with the wits and the luck to do so. Some daimyo were former shugo, but many others were commoners who rose from the lowest ranks. This phenomenon of retainers rising up to the loftiest positions of power became known by the catchphrase gekokujo (下克上), literally "the low overcoming the high."

In the early years of the Sengoku, other loci of power, equally self-made, challenged the daimyo for dominance - peasant leagues (legion), powerful shrines and temples (most notably Ise Shrine), salvationist religious cults (the Ikko Ikki) - but in the end it was individual daimyo, with their authority concentrated in the hands of single men, who subdued all comers, divided the land into personal fiefs, and battled each other for dominance.

The Sengoku Era was truly an age of constant warfare, and there was almost always fighting going on somewhere in Japan at any given time. That noted, however, it is easy to overestimate the extent of the chaos. Many regions experienced years, even decades of peace at a time. Moreover, the distribution of power from a single center in Kyoto to many locales across the land, wherever a daimyo made his capital, led to a spread of courtly culture across the land, as each daimyo competed to make his castle town a "little Kyoto" in its own right. Competing in the arts as well as on the battlefield, the daimyo poured massive amounts of resources into artistic and cultural pursuits, and several art forms developed significantly in the Sengoku period and the years immediately following."